Should you be concerned about string tension on parlor guitars from the early 1900s? Considering that very few of these instruments have truss rods, it's a valid worry.
This guitar lesson breaks down the mechanics of string crossing and applies it all to a classical guitar etude by Fernando Sor to help build up picking-hand precision.
Bob Taylor (Taylor Guitars), Richard Hoover (Santa Cruz Guitars), and Dana Bourgeois (Schoenberg, Bourgeois Guitars) reflect on 50 years of guitar making.
With the EPs Bluish and Edgework, guitarist Woody Harris has released his first new music in 42 years, and it’s a lifetime away from the folk albums he recorded in his 20s.
In this guitar lesson, these arrangements of two songs by Mother Maybelle Carter will help develop your technique and understanding of the flatpicking idiom.
In this lesson, Bruce Molsky demonstrates how the guitar tradition from Madagascar takes in not only local music elements but classical and pop influences from everywhere.
A friend commissioned Jack Cowardin to build an understated 000 acoustic guitar to complement his 1938 Martin 000-18. The result was much more than just wood and metal.
The Vineyard Koa is based on Luna’s Folk body, which splits the difference between a grand auditorium and a parlor. Hear how it sounds in this guitar review.
Watch Joan Armatrading play "Love and Affection" on her Ovation 12-string guitar, and learn some tips for playing the song with her rich chord voicings.
The 8 performances on Forever on my Mind, recorded live at Wabash College in 1964, are so different, they force us to rethink everything we know we about him.
This arrangement is taken at a relaxed tempo, using a handful of open and first-position chords—C, F, A7, D7, G7—along with a couple more sophisticated but easy-to-play shapes.
Joan Armatrading has followed her own path for 50 years to become one of the most revered songwriters of her generation. Here's an in-depth look at her guitar playing.
In this guitar lesson, get a taste of open tunings by lowering your strings to open D minor, then playing a handful of chord shapes and applying them to a bluesy etude.
Handcrafted in the company's Sisters, Oregon, workshop, the Preston Thompson D-SMA has a poetic side you might not expect from an instrument of its size.
Using six guitars—a nylon-string crossover, a baritone, a Portuguese viola amarantina, steel-string acoustics, and an electric—Hall switches between solo and multitracking and different tunings.