The Emperor pictured here was made in late 1949, and has a carved spruce top, carved maple back, and extensive inlay work befitting such a fancy guitar.
With its extensively engraved gold-plated hardware, the Bella Voce (along with the equally fancy Florentine model) was the most expensive banjo in the Gibson catalog.
Levin instruments have been played by many of the finest European guitarists. The 1948 Model 1 De Luxe archtop shown here sat at the very top of the Levin line.
Since his retirement in 2018, former C.F. Martin & Co. mainstay Dick Boak has continued hand-building instruments like this dreadnought-ukulele-small-bodied-guitar trio.
Rick Turner created many unique Compass Rose acoustics, but this one—regarded as among his finest—was the luthier’s personal guitar and a showcase of both his bold concepts and skilled execution.
A friend commissioned Jack Cowardin to build an understated 000 acoustic guitar to complement his 1938 Martin 000-18. The result was much more than just wood and metal.
This 2019 Kenny Hill Modern Legacy classical guitar, the luthier's main guitar for his own playing, is a prime example of his company’s top-tier offerings.
Singer-songwriter and guitarist Buck Curran’s tale about his 2009 Stefan Sobell Model 1 is more uplifting than some other tales of "the one that got away."
This Santa Cruz OM Custom was made with several storied tonewoods, including Tunnel 13 redwood; Brazilian rosewood; and figured mahogany sourced from the Tree.
From the November/December 2020 issue of Acoustic Guitar | By Greg Olwell A few archtops were larger and some were glitzier, but all were trying to top the standard set by the stunning Gibson Super 400. Having an 18-inch lower bout and decorated with Gibson’s most premium appointments and hardware, the Super 400 surpassed the L-5…
This steel-string incorporates elements from the luthier's nylon-string background, such as the combination of an ebony fretboard and a rosewood bridge.