How can you improve a budget guitar? This is a simple question with a complicated answer. To really tackle the subject, we’ll have to let's consider a few different areas.
On Christina Vane's album Make Myself Me Again, the slide guitarist is exploring what it means to reconnect with herself in a new, unfamiliar city where she seems to fit right in.
On Up the Hill and Through the Fog, the Slocan Ramblers make a clean break from their folk-trad past and establishing three distinctive voices to make the group greater than the sum of its parts.
Stylistically, Joe Russo’s Almost Dead guitarist Scott Metzger's solo acoustic album, Too Close to Reason, covers a lot of territory in what he calls his “sonic landscapes.”
Dark Enough to See the Stars is what we call a happy album for Mary Gauthier—the happiest album in her career, recorded at the happiest time in her life.
Marvin Gaye’s “What’s Going On” has nary an acoustic guitar in its swirling arrangement, but the song, in the guitar-friendly key of E major, lends itself nicely to an acoustic treatment.
Five promising young luthiers—Brian Itzkin, Oliver Marchant, Eve Meister, Max Spohn, and Olivia Elia—chat about their personal visions and approaches to the craft of building guitars.
Fingerstyle guitarist Steve Baughman shares an open-d acoustic guitar arrangement of the beloved Christmas carol "Silent Night" that lends itself nicely to slide treatment.
Our reviewer found that for a big guitar with a big sound, the Takamine CRN-TS1 also offers an intimate quality that rewards an uncluttered approach, where notes are given the time and space to linger.
Contemporary fingerstyle guitar masters Andy McKee, Kaki King, Christie Lenée, and Mike Dawes reflect on the legacy of the revolutionary guitarist Michael Hedges.
Our reviewer found the Taylor 724ce to be an exceptionally comfortable instrument with an easy-playing neck and a resonant feel whether fingerpicked or flatpicked.
Berta Rojas' album Legado features 12 tracks composed by or written in homage to a pair of classical guitar pioneers: Ida Presti (1924–1967) of France and María Luisa Anido (1907–1996) of Argentina.
Since his retirement in 2018, former C.F. Martin & Co. mainstay Dick Boak has continued hand-building instruments like this dreadnought-ukulele-small-bodied-guitar trio.
Contrapuntal lines are not necessarily intuitive for most guitarists, but the approach is certainly worth the investment and yields dividends equivalent to sonic gold.
Glenn Jones doesn’t see open tunings as an alternate to standard, but rather as the core to his approach to playing and composing on guitar, including on his album ‘Vade Mecum.‘