Despite being distributed in 60 countries and receiving the “All-time best-selling acoustic guitars in the UK” award by the Music Industry Awards, Tanglewood brand isn’t a household name in the US. But that may change now that the UK-based brand of guitars made in Indonesia and China are being…
The Recording King RPS-7 and RPS-9 are modeled after Dust Bowl–era Montgomery Ward guitars, and they share some basic specs: Each guitar has a compact, style-0-sized body with a 12th-fret neck junction and a relatively long-scale fretboard, 25.4 inches.
The Guild M-40E acoustic guitar is based on the 1960s-era Guild F-20 model. It is a concert-sized instrument that packs a punch, especially when plugged in.
Right out of the box, it’s apparent that the Art Recorder is a very nice-sounding guitar. Its intonation is spot-on, and there are no dead spots on the neck,
Scaled-down is the new “bigger is better,” a design aesthetic for guitars that are easy to transport, gig-ready, and quite attractive. These days, modern guitar players value portability in addition to tone, playability, and visual aesthetics, and the industry is responding with compact acoustic axes that travel easily, accommodate players with small hands or ergonomic challenges, fit into cramped living spaces, and suit modest budgets.
The Cort Frank Gambale signature model is a collaboration between the guitar company and the artist, who oversaw almost every detail of this guitar. Gambale, a jazz-fusion shredder who often records and performs acoustically, wanted an acoustic that played like an electric, and he has put his personal stamp on the Luxe.
A pair of freshly made parlor guitars with a growl and bark perfect for fingerpicked blues and ragtime, conjuring up vintage sounds of the Mississippi Delta and the American South.
When I first played Breedlove’s new Journey Concert, I was reminded of the depth of sound that a set of Brazilian rosewood back and sides lends to a steel-string acoustic guitar.
“It’s cool playing a guitar in space because it floats in front of you—you don’t need a strap,” Hadfield said on a 2013 Larrivée video. “But one of the weirdest things is that as you float around the room while you’re playing, you bump into things.”
In a sense, all of Gibson’s flattop guitars are indebted to Martin designs, but with the CEO-7, Martin tips its hat to Gibson. Inspired by a mid-1930s L-00, this CEO is a no-frills flattop with distinctively sloped shoulders, a 14th-fret neck-to-body junction, and a sunburst soundboard finish.
Parlor guitars are finding renewed interest among a broad spectrum of players, both professionals and those looking for small, lightweight instruments to take to beach parties or campfire singalongs.
Like all Faith guitars, the Classic Burst Mercury is made from solid, eco-friendly FSC-certified woods at the company’s workshop in West Java, Indonesia. It does have that imported-guitar vibe, thanks to its polyurethane lacquer finish and its chemical-rich aroma. But unlike the typical budget guitar, it’s very well-built. The frets are cleanly dressed and the sunburst finish is perfectly graduated—inside the box things are relatively neat and tidy.
The small-bodied LS16 likely owes its fine sound to Yamaha’s Acoustic Resonance Enhancement (ARE) technology, a form of torrefaction that brings a warmer, darker tone color.