If I hadn’t had their spec sheets in front of me, I might not have known that a pair of new Taylor guitars were affordable instruments. The new Taylor Academy 10e dreadnought and 12e Grand Concert each sell for well under a grand with a deluxe padded gig bag. Both…
The guitar inside the case—the OM1A T—is a force to be reckoned with. It’s beautifully crafted and, though newly built, has a mature sound and a phenomenal responsiveness.
Butch Boswell, a self-proclaimed “wood junkie,” is taking his 20 years of guitar repair skills and putting them toward building one-of-a-kind instruments that cater to his clients’ individual needs. Boswell builds guitars in small batches of two or three instruments at a time at his shop in Bend, Oregon.
The Batson Americana is visually striking: The ebony fretboard, bridge, and tailpiece make a beautiful, chocolate-hued center line against the vanilla-shaded, solid Sitka spruce top; and the light-colored, solid mahogany back and sides have a honey-hued, koa-like sheen.
The 712e 12-fret, a member of the newly refreshed 700 Series, is Taylor’s most recent variation on the Grand Concert platform. And it’s one sweet guita
There is a certain familiarity to the Martin GPC15ME—the rustic charm of all mahogany guitars that have a log-cabin-type appeal can inspire a gutbucket response.
The latest in Maine luthier Dana Bourgeois’ line of fine steel-string guitars, the L-DBO is an incredibly playable tribute to prewar flattops like the Gibson L-00.
The real pleasure of Ovation's 50th Anniversary Limited-Edition Elite is its sound. The guitar is equipped with the company’s proprietary OP Pro Studio preamp and OCP1 high-output pickup.
The instrument has all the hallmarks of a great 000: a brilliant, piano-like response and a sound that’s distributed evenly across the frequency spectrum.
Even though the M-20 is relatively unadorned—no binding, nor abalone nor mother-of-pearl inlays except in the “Guild” insignia on the head stock—its build is apparent in the quality of the woods, fret dressing, bone nut and saddle, and set up.
At first glance, the Michael Kelly Forte Port might seem like nothing special. After all, it has laminated sapele back and sides, a two-piece mahogany neck, a nylon nut, black ply binding, and a sticker price of just $299.
This diminutive, slope-shouldered beauty has a warm and lively voice and is extremely responsive. It’s got a surprising amount of volume and projection for its size.
PRS’s Angelus SE A30E has got a lot going for it: top-notch playability and an agreeable voice that reproduces well thanks to its high-quality electronics.
This 14-fret Orchestra cutaway model—a total winner for the price—has an easy playability and a tight, focused sound that lends itself equally well to strumming and fingerpicking.
The 00L-17 sounds every bit as awesome as it feels. It’s got a lovely, uncluttered sound, heavy on fundamentals but with shimmering overtones and a nice natural reverb. The string-to-string balance is excellent, as are the projection and sustain. It’s definitely a more powerful instrument than would be expected of one of its size and scale length.
This new guitar has perfect intonation and a voice that’s warmer and richer than those of the vintage instruments that inspired the Plainsman Double 0.
The 00-15E’s mahogany soundboard isn’t as excitable as spruce, but the guitar is responsive whether I’m playing gently or digging in with a pick. Single-note lines and complex chords alike are clear and brilliant up and down the neck.
It might not dazzle with its looks, but this guitar’s excellent sound and playability make it a serious contender among much more expensive instruments.