Adam Perlmutter holds a bachelor of music degree from the University of North Carolina-Greensboro and a master's degree in Contemporary Improvisation from the New England Conservatory. He is the editor of Acoustic Guitar.
“Sidewalk Chalk” is a lovely waltz with a beautiful set of chord changes. It’s also quite approachable and, like so much of Levy’s work, is a joy to play.
The multi-instrumentalist scholar talks about how he found his own voice through the study of old and new songs, and what makes the ideal acoustic guitar.
Lage talks about his uncommon use of the steel-string guitar in the evolution of his ensemble, as well as collaborating with his wife, singer-songwriter Margaret Glaspy
“Most of the time I have no idea how the music comes from my fingertips while writing. It’s not like I’m going for some genre or sound. It just happens!”
While hybrid picking lends a certain definition and crispness, especially on the bass notes, straight fingerpicking will work equally well on the two pieces.
Since Grant Gordy's 2010 self-titled debut album, he has used bluegrass as a foundation while stretching out far beyond the genre’s confines to find his voice as an improviser, composer, and arranger.
This guitar lesson is based on Little Feat’s original recording of "Willin'," a duet with George on vocals and acoustic guitar and Ry Cooder on bottleneck electric guitar.
Steve Nall recently took over selecting tonewoods and voicing the tops and backs of all Collings acoustic guitars after working for decades with mentors Bill Collings and Bruce VanWart.
With a little thought into how you store and display your guitars, you can keep them in optimal shape, ready to receive your ideas when inspiration strikes.