With the top-shelf Martin Modern Deluxe D-45 and 012-28 acoustic guitars, there’s no arguing with the overwhelming quality and class of the materials and craftmanship—and depth of sound.
What sets Breedlove's Organic Collection guitars apart apart from other entry-level models is their lightly built, solid-wood construction with thin UV finishes.
The Recording King Dirty 30s Deluxe Single 0 guitar shares the same woods and electronics as its Dirty 30s Series 11 counterparts, but with a few key differences.
The all-solid-wood CSF3M boasts scalloped bracing for enhanced tone, projection, and loudness; the TransAcoustic-equipped FG-TA dreadnought responds well to fingerpicking and flatpicking in standard and open tunings
The Recording King RPS-7 and RPS-9 are modeled after Dust Bowl–era Montgomery Ward guitars, and they share some basic specs: Each guitar has a compact, style-0-sized body with a 12th-fret neck junction and a relatively long-scale fretboard, 25.4 inches.
The Guild M-40E acoustic guitar is based on the 1960s-era Guild F-20 model. It is a concert-sized instrument that packs a punch, especially when plugged in.
Right out of the box, it’s apparent that the Art Recorder is a very nice-sounding guitar. Its intonation is spot-on, and there are no dead spots on the neck,
The Cort Frank Gambale signature model is a collaboration between the guitar company and the artist, who oversaw almost every detail of this guitar. Gambale, a jazz-fusion shredder who often records and performs acoustically, wanted an acoustic that played like an electric, and he has put his personal stamp on the Luxe.
When I first played Breedlove’s new Journey Concert, I was reminded of the depth of sound that a set of Brazilian rosewood back and sides lends to a steel-string acoustic guitar.
The small-bodied LS16 likely owes its fine sound to Yamaha’s Acoustic Resonance Enhancement (ARE) technology, a form of torrefaction that brings a warmer, darker tone color.