Though commonly associated with classical guitar, tremolo technique can be used on steel-string acoustic or even electric guitar to give the impression of a sustained voice.
This acoustic guitar lesson on fingerpicking arpeggios will benefit your rhythm and lead playing as well as your compositional ability and overall musicianship
Developing your sense of time and rhythmic vocabulary won’t just make you a better rhythm player, it will make you a better lead player, and a better musician overall.
Here is J.S. Bach’s transcendental prelude to Cello Suite No. 1 performed on acoustic guitar. Learn the history of this arrangement and find advice for learning to play it yourself.
Here are some tips on understanding the power of modes and pentatonic scales (major and minor), and how to fit them into your own playing on acoustic guitar.
The basic concept for seventh chords is simple enough: any number following a chord indicates the note that is to be included in the basic triad to form a more colorful harmony.
"Many guitar players have an aversion to anything that smacks of music theory," Gretchen Menn says, "My aim is to show you that having a basic understanding of the fundamentals will benefit you as a guitarist, a musician, and a creative soul."
In this guitar lesson we study the fundamentals of diatonic harmony to understand the theory, then apply it to the fretboard to build chords and use them in progression.
Even if this is review for you, it’s always a good idea to revisit the basics—not only to further solidify the foundation upon which all else is built, but to provide new insights as you examine something familiar with fresh eyes and skills.
THE PROBLEM Rhythm is a shaky area for you. You have a difficult time communicating a rhythmic idea unless you can play it; you have a tendency to fall into familiar, repetitive rhythms. THE SOLUTION Learn the fundamentals of rhythm, then…
Pentatonic scales are an effective and generally manageable way to get started, and many guitar players derive much of their approach from this basic framework.
Use a little music theory to learn how major and minor triads are built and to start connecting chord shapes. With an awareness of how these chords work, you’ll be primed to play songs as diverse as the Who’s “Substitute” and Paul Simon’s “Me and Julio Down by the Schoolyard”—and to create your own chord progressions and solos.