It’s remarkable to say that even after all these decades of exploring all sorts of sonic and stylistic terrain, ‘Seven Psalms’ is unlike any other Paul Simon creation.
Compared to 2021’s ‘Window to the World,’ ‘Little River Canyon’ feels simpler, without the former’s loops or pedals, recorded live in the studio with only one guitar.
Half the songs on Miss Rhythm are originals, though if you didn’t see the writing credits, you could easily be fooled into thinking that they were pulled off scratchy 78s from the ’20s or ’30s.
The nimble and expressive Colombian classical guitarist Irene Gómez has always played a diverse repertoire, as befits a musician whose varied guitar education included programs in her native country, in France, and at Juilliard in New York, where she studied with Sharon Isbin.
Ain’t Nobody Worried, the third installment in Rory Block’s Power Women of the Blues series, takes the acoustic slide guitar master and blues belter in some unexpected but completely rewarding new directions.
The songs on Joe Henry’s latest album 'All the Eye Can See' refuse to give up their mysteries, the melodies wandering like question marks with the lyrics threading a thin line between knowing and unknowing.
The album brings together 15 previously unreleased live and studio tracks by two of the three singing Roche sisters, Terre and Maggie, who were a performing folk duo dating back to their teen years.
Kate Koenig describes Immortal Rhythm as “alternative folk," and there is a folk purity to the mostly crystalline vocals and much of the fingerpicked and strummed acoustic guitar parts.
The spareness of Birds in the Ceiling frees John Moreland to dig deeper into the darkness of these songs, to focus on a life where death is the only certainty.
On Christina Vane's album Make Myself Me Again, the slide guitarist is exploring what it means to reconnect with herself in a new, unfamiliar city where she seems to fit right in.
On Up the Hill and Through the Fog, the Slocan Ramblers make a clean break from their folk-trad past and establishing three distinctive voices to make the group greater than the sum of its parts.