Playing nylon-string, Bola Sete was a masterful improviser and technician, with influences that ranged from Django Reinhardt to João Gilberto to Andres Segovia.
This remastered, super deluxe 50th anniversary edition of George Harrison's "All Things Must Pass" tamps down Phil Spector’s dense, reverb-heavy wall of sound.
There’s no one else like Paul Thorn, a walking contradiction with an honest sense of his shortcomings, an insistent moral compass, and a healthy dose of country funk.
"The Village Out West" includes 51 tracks of stunning '60s recordings of bluegrass, gospel, folk, Delta blues, Celtic ballads, Woody Guthrie tunes & more.
There’s an architectural quality to Eli West's Tapered Point of Stone, a careful sense of craft that methodically builds from one note and one instrument to the next.
John Pizzarelli's Better Days Ahead, Matthew Stevens' Pittsburgh, & Steve Gibb's The Boatman each highlight mastery of the fingerstyle guitar in their own right.
The settings in Leftover Feelings, recorded live in Nashville’s historic RCA Studio B, find the middle ground between wisdom and cleverness, country and bluegrass.
Singer-songwriter Charlie Parr's 17th album, "Last of the Better Days Ahead," is chock full of memories and energy with a sprightly sense of adventure.
The nylon-string acoustic guitar is known as a classical or flamenco instrument, but here are 10 non-classical albums centered around the nylon-string guitar.
"Intimate Impressions" by Canadian classical guitarists Adam Cicchillitti and Steve Cowan draws on their own arrangements of piano works by Ravel and Debussy.
With her debut album, "Nowhere Sounds Lovely," Italian-born Cristina Vane trains her outsider’s eye on America drawing on a number of different guitar styles.
Most of the tunes on Smither’s 18th album are unreleased gems from the New Orleans sessions that resulted in his career retrospective "Still on the Levee."