The Takamine FT340 BS is a versatile axe for the gigging acoustic guitarist who needs a consistent sound at a variety of volumes in a variety of venues.
Our reviewer found that for a big guitar with a big sound, the Takamine CRN-TS1 also offers an intimate quality that rewards an uncluttered approach, where notes are given the time and space to linger.
With the top-shelf Martin Modern Deluxe D-45 and 012-28 acoustic guitars, there’s no arguing with the overwhelming quality and class of the materials and craftmanship—and depth of sound.
Handcrafted in the company's Sisters, Oregon, workshop, the Preston Thompson D-SMA has a poetic side you might not expect from an instrument of its size.
For its new A-20 Marley acoustic guitar, Guild tracked down vintage Madeira models, seeking to copy most of the original details, while improving on certain aspects.
The street price on Epiphone’s "Inspired By Gibson" Hummingbird acoustic guitar? Just $799—and you get much of the vibe of its costlier Gibson counterparts.
With the new CJ-45 T, Collings has delivered a new guitar that shows how much can be achieved with a mix of CNC manufacturing, handcrafting, and vision.
If I had to pick two words to describe the Furch Blue MM, they would be “Play me!” Right out of the box, this mahogany acoustic-electric dreadnought felt ready to make music.
The guitar has a soft, warm tone that works great for fingerpicked chord patterns and breezy strumming. When strumming chords with a pick, I found it definitely sounds best to approach the FGX3 with a more delicate touch—a thinner pick and a soft strum can go a long way—while heavy-handed strumming and picking tend to get harsh. Approached with a light to medium touch, chords sound rich while maintaining a clarity that allows individual notes to shine.
The American Dream is alive, well, and living near San Diego, at least if you’ve been dreaming of an affordable American-made, all-solid-wood Taylor guitar. Launched in the midst of the pandemic, Taylor says its new American Dream series was “born from adversity”—an effort to make an affordable guitar available in…
The Epiphone Masterbilt Excellente guitar is like a time machine—take a good look at it and you might think you’ve been transported back about 50 or so years.
Gibson's G-45 Studio acoustic guitar is a more affordable cousin of its beloved namesake, the J-45 acoustic guitar. See how it stacks up on our review.
Eastman’s Double Top series is among the first to use the boutique-maker idea of a double top—a soundboard incorporating two outer wooden layers over a synthetic core, for enhanced sound and responsiveness—in a production steel-string guitar model.
Guild's Memoir series, which includes the P-240 Memoir and DS-240 Memoir acoustic guitars reviewed here, are part of the company's Westerly Collection.
A collaboration between two French companies, the Lâg Tramontane HyVibe, turns the guitar’s body into a speaker that can add several different effects to your acoustic tone, loop, metronome, and interact with a smartphone app for even greater control of the preamp’s parameters.
Farida's latest offerings are contemporary takes on a couple of wartime Gibson models: The OT-65 Wide VBS, inspired by the popular Gibson J-45, and the more petite 00-size OT-25 NA modeled on the lesser-known Gibson LG-3.
The partnership between Yairi and Alvarez goes back several decades, with the Alvarez-Yairi stamp reserved for Alvarez’s finest instruments. While much of Alvarez’s line is manufactured in China, the Yairi-branded guitars are made in a small shop in Kani, Japan, where modern power tools are eschewed in favor of hand tools, like spokeshaves for carving necks, and hide-glue construction is standard throughout.
In 2004, the fingerstyle virtuoso Steve Baughman was visiting the Source Guitar Festival in Lewiston, Maine, when he encountered a steel-string that changed his life.
The all-solid-wood CSF3M boasts scalloped bracing for enhanced tone, projection, and loudness; the TransAcoustic-equipped FG-TA dreadnought responds well to fingerpicking and flatpicking in standard and open tunings
In an era when tropical tonewoods such as mahogany and rosewood have become increasingly regulated and scarce, it makes perfect sense to make a guitar entirely from North American woods. The Model America 1 is based on the stalwart D-18, but with tonewoods that can be found in Martin’s—or maybe even your own—back yard.