Greg Ruby is the director of Guitar Week for the Swannanoa Gathering and has taught extensively. He is the author of the Oscar Alemán Play-Along Songbook.
The Takamine FT340 BS is a versatile axe for the gigging acoustic guitarist who needs a consistent sound at a variety of volumes in a variety of venues.
In this lesson, we’ll dive into some chordal innovations you can use to get a Django Reinhardt sound or to simply explore new ways of approaching chords.
With its C-shaped mahogany neck and radiused fretboard, the Stage handles more like a semi-hollow electric than a traditional classical or flamenco guitar.
The rest stroke—similar to the fingerstyle approach used by classical guitarists—is a plectrum technique in which each downstroke lands on an adjacent string rather than passing over it.
Here are some ideas from jazz great Eddie Lang for some new chord melody techniques and textures on guitar, applied to the verse of the old standard “After You’ve Gone.”
When playing chord-melody style guitar, sometimes you're not sure which chord to use when the melody isn’t a chord tone or moves too quickly. Here's the solution.