On a long, jovial Zoom call, Elkington and Salsburg spoke to Acoustic Guitar from their respective homes about the nuts and bolts of their work as a duo.
When Richard Thompson plugs in his Stratocaster, fireworks regularly ensue. But his playing is equally brilliant when he picks up a Martin, Ferrington, or Lowden and goes unplugged.
When you see the words “jazz guitar,” what pops into your mind’s ear first? Odds are that you hear the clean, smooth, rich sound of an electric archtop, possibly with its tone knob rolled down for extra low-mid emphasis, picking out chord melodies à la Joe Pass or octave lines in the manner of Wes Montgomery. Without a doubt, this is the stereotypical jazz guitar sound, but over more than 100 years of history, there have been many others. And a significant percentage of them were (and are) produced without the aid of a pickup, cable, or amplifier.