The Takamine FT340 BS is a versatile axe for the gigging acoustic guitarist who needs a consistent sound at a variety of volumes in a variety of venues.
Few musical pleasures compare to playing well-made small guitars. They’re comfortable. They resonate easily. They reward a subtle touch in ways few of their big siblings can match.
Although known for its steel and brass instruments, National also offers many wood-bodied guitars, both tricone and single-cone biscuit bridge style. The M-14T Thunderbox is the most recent addition to National’s M series of single-cone mahogany resonators.
The Martin OM-28 Modern Deluxe is a lightweight orchestra-bodied guitar, with a blend of vintage and modern features that merge to form a unique, cutting-edge composition.
The Iris’ terrific-feeling neck, with a perfect rounded-C profile that’s .880 at the first fret, split the difference between skinny modern and vintage hefty.
There has been a revolution of sorts in guitar making over the past 15 years. RainSong, Blackbird, Composite Acoustics, and now KLOS have developed carbon-fiber instruments that can withstand the elements of extreme heat, cold, and moisture without suffering damage.
No matter how I played the Angelus, it delivered a nicely proportioned sound, with a spanky top end layered over a controlled bass and midrange. The low end wasn’t cavernous or boomy, which helped it feel balanced across the frequency range, especially useful for fingerstyle parts on open tunings and easy to control through a loud amp.
he player who ends up favoring the Fender Acoustasonic Telecaster is anybody’s guess, but it’s likely to be a musician who places a priority on functional, accessible tools. It’s certainly going to find an audience among those who need acoustic and electric tones at the ready and value the Acoustasonic’s looks and high level of comfort.
Farida's latest offerings are contemporary takes on a couple of wartime Gibson models: The OT-65 Wide VBS, inspired by the popular Gibson J-45, and the more petite 00-size OT-25 NA modeled on the lesser-known Gibson LG-3.
When you think of the Collings guitar company, one of the things that stands out is nonpareil workmanship. The new C100 is certainly no exception. Although it’s not a fancy guitar by any means, everything about it shouts “quality.” The mahogany back, sides, and neck and Sitka spruce top are…
Both guitars will surprise longtime Taylor players, who’ll certainly recognize the premium build quality, firm intonation, and note integrity on the Grand Pacific.
At the New York showroom, I spent some time exploring these sounds with a natural finish Acoustasonic plugged straight into a Fender '65 Deluxe Reverb tube amp.
Our pitch to makers was simple: Send us a guitar that uses no rosewood and has a real-world cost of $500–$1,500. Since some makers have many models that qualify, we limited each brand to one guitar of any shape or size, with or without electronics or a cutaway. Laminated and solid woods were okay, but no composites such as carbon fiber (that’s a roundup for another time). What you’ll see over the following pages are a dozen acoustic guitars, presented alphabetically, that show off some of the delightful choices available in this popular price range.
The partnership between Yairi and Alvarez goes back several decades, with the Alvarez-Yairi stamp reserved for Alvarez’s finest instruments. While much of Alvarez’s line is manufactured in China, the Yairi-branded guitars are made in a small shop in Kani, Japan, where modern power tools are eschewed in favor of hand tools, like spokeshaves for carving necks, and hide-glue construction is standard throughout.
In 2004, the fingerstyle virtuoso Steve Baughman was visiting the Source Guitar Festival in Lewiston, Maine, when he encountered a steel-string that changed his life.
I didn’t hop on any freight trains, but I certainly enjoyed toting the Q-Discrete around town with its modest weight, petite profile, and comfy gig bag.
Introduced in 1968 as a special-order version of the 6-string F-50R, the Guild F-512 had varying appointments, including Brazilian rosewood backs and sides, before it became a regular model in 1974—and a go-to instrument for players such as Pete Townsend, Brian May, Tim Buckley, John Denver, and Dan Fogelberg.
The all-solid-wood CSF3M boasts scalloped bracing for enhanced tone, projection, and loudness; the TransAcoustic-equipped FG-TA dreadnought responds well to fingerpicking and flatpicking in standard and open tunings
How do you choose which guitars to review? Our writers are guitar fanatics, just like you. They’re always on the lookout for new or updated offerings to recommend. We’re sometimes asked why we don’t publish negative or one-star reviews – there are so many great guitars being produced today that we’d rather share our balanced opinions on the instruments we do think you should consider.
Do companies pay for you to review their instruments? No. We are proud of the firm separation between advertising sales and editorial coverage that we’ve held strong since our founding in 1990. We only accept endemic advertising – meaning, you won’t see ads for products or services unrelated to making music with an acoustic guitar; inevitably that means we’ll review products made by companies who advertise with us, but you’ll see just as many reviews by companies who do not. We have never (and will never) take money or gifts in exchange for a favorable review.
What’s up with affiliate links? There is no billionaire owner or mega-corporation behind Acoustic Guitar – your support keeps us independent and in business. When you shop for gear using one of our affiliate links, a small percentage of your purchase gets shared with us (at no cost to you) for being the one that referred you. This is one way you can support our work (learn about more ways here.) We do not select products to review based on the availability of affiliate links.
